Drama deliberations

The drama scripts were on the whole delightful, original and grappled with issues highly relevant to Dead Heart, as stipulated in the task criteria.

Strengths & Points for Improvements
Issues
+All scripts engaged with the key issues
+There were many original storylines and characters brought the issues to life.
! Some scripts combined too many issues in a short scene.

Script/Structure/Set Design
+Initial set design was usually well-established with a clear Australian setting.
+Verbal cues, particularly those indicating tone, were strong.
-Some scripts had major inconsistencies and did not read like drama scripts. Action on stage must be carefully scripted. If a character runs away, dives into the ocean, or appears suddenly, you must think about how this will be staged, including set design, acting and use of props.
-All transitions and scene changes must be indicated. Use sound and lighting and keep production elements in mind throughout.

Dialogue:
+ Many scripts featured powerful, authentic dialogue that effectively established character and conflict.
! make sure the dialogue fits, considering factors such as the temporal setting, age and role of the character.
! Don’t overuse dialogue or try to accomplish too much back story/drama through 'telling'. Action is powerful. Some had their characters directly address the audience – an excellent device but must be used carefully.